Viyaah Kartaare Da Movie 2026 Filmyzilla Review Details
Viyaah Kartaare Da 2026 Review – A Wedding Carnival That Demands the Biggest, Loudest Screen!
Let me tell you, the theatre was buzzing like a sangeet function gone wild. The moment that dhol-heavy BGM kicked in, you could feel the collective energy shift—this isn’t just a film, it’s a Punjabi wedding you’ve bought a ticket to.
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Check on BookMyShow →The laughs were communal, the bass from the songs made the seats thrum, and the sheer scale of the baraat sequences filled the screen with a riot of colour.
This, my friends, is why we go to the movies.
Viyaah Kartaare Da is a classic Punjabi masala entertainer, scaled up for the 2026 audience. It’s a high-energy romantic comedy built on a foundation of farce, where a son’s outrageous lie spirals into wedding-day chaos.
Director Smeep Kang knows his audience and delivers a visual and aural feast designed for maximum theatrical impact.
| Role | Name |
|---|---|
| Director | Smeep Kang |
| Lead Actor | Gippy Grewal |
| Lead Actress | Nimrat Khaira |
| Cinematographer | Sukh Kamboj |
| Music Directors | Kulshan Sandhu, MXRCI, Aagaaz |
| Background Score | Salil Amrute |
| VFX Studio | Hashtag# Studios |
| Editor | Rohit Dhiman |
Visual Grandeur: A Riot of Colour and Controlled Chaos
DOP Sukh Kamboj paints Punjab in its most vibrant avatar. The visuals are unapologetically rich—golden hour fields, neon-lit wedding pandals, and havelis dripping in festive lights.
The VFX, handled by Hashtag# Studios, is smartly used for scale, not spectacle. It multiplies crowds during the climactic baraat, making it feel like a thousand-strong procession, and adds a touch of comic exaggeration to falls and chases without breaking realism.
The CGI is seamless in enhancing the live-action frenzy. You don’t notice it, you just feel the amplified energy. The colour grading is pure confectionery—deep maroons, bright oranges, and shimmering golds that pop off the screen.
This is a film that understands its identity as a visual celebration.
Sound Design & BGM: The Heartbeat of the Madness
If the visuals are the lehenga, the sound is the heavy jhumka. Salil Amrute’s background score is a character in itself. The seat-shaking bass from the dhol sequences literally vibrates through you.
The Dolby Atmos mix is brilliantly immersive—you hear the clinking of glasses from the sides, the chaos of the crowd all around, and the whisper of a romantic line from the centre.
The songs, especially the title track, are mixed for a theatre system. The low-end thump during the dance numbers gets your feet tapping. The foley work is crisp, from the rustle of a sherwani to the slapstick sound of a comic fall.
This audio experience is 50% of the film’s joy and is utterly lost on a TV speaker.
Cinematography: Dynamic and Unafraid
Sukh Kamboj’s camera is never static. It swoops through wedding processions on cranes, weaves through chaotic dance floors with steadycam grace, and gets intimate for the emotional beats.
The shot compositions are often grand, placing our characters in the middle of vast, colourful sets, emphasizing the scale of their deception and the ensuing madness.
The use of slow-motion during key comic and romantic moments is effective, letting the audience savour the expression and the elaborate production design.
The camera movement during the chase sequences, particularly the one in the village mela, is kinetic and adds to the breathless pace of the farce.
| Aspect | Rating / Comment |
|---|---|
| VFX Integration | Seamless for scale & comedy |
| Sound Design (Atmos) | Top-notch, immersive |
| Cinematography | Vibrant, dynamic, grand |
| Production Design | Opulent, authentic wedding feel |
| Costume Design | Extravagant, character-perfect |
| Editing Pace | Snappy, maintains farcical energy |
Visual Highlights: Scenes That Burn Into Your Retina
- The Fake Funeral Turned Engagement: A masterclass in comic tension, with stark white funeral decor hilariously clashing with sudden bursts of wedding colour.
- Kartar’s First Day as “Cop”: Gippy’s swagger in an oversized uniform, shot with low angles and chaotic sound design as he bungles his way through duty.
- The Mela Chase: A dizzying, colourful sequence with camera work that makes you part of the pursuing crowd.
- Sher Singh’s Return: Prince Kanwaljit’s grand entrance, framed like a vintage icon, with a dramatic score that cuts to hilarious silence.
- The Sangeet Sabotage: A riot of synchronized and not-so-synchronized dancing, where the VFX subtly amplifies the crowd’s energy to a fever pitch.
- The Final Baraat Brawl: The film’s pièce de résistance. A wide-shot spectacle of hundreds, vibrant colours flying, and chaos unfolding in glorious, detailed slow-motion.
Theatrical vs OTT: This is Non-Negotiable
Watching Viyaah Kartaare Da on OTT would be a criminal compromise. This film is engineered for the collective experience—the shared laughter, the collective gasp, and the physical rumble of its music.
The visual spectacle of the weddings and the immersive, layered soundscape lose their soul on a smaller screen. The scale feels domestic, the energy muted.
| Format | Verdict |
|---|---|
| IMAX / 4DX | THE WAY. The enhanced sound and visual immersion are perfect. |
| Standard Multiplex (Dolby Atmos) | Excellent. The Atmos mix is key. |
| Single Screen (Big Sound System) | Fantastic for the crowd energy and bass. |
| OTT / Home TV | Watch only for the story. You’ll miss the essence. |
Who Will Enjoy This?
Mass Audience: This is their festival. Fans of Gippy, Nimrat, and Gurpreet Ghuggi will be in heaven. Families, couples, and groups looking for pure, undiluted entertainment will get their money’s worth three times over.
Class Audience: Those seeking gritty realism or subtle drama should look elsewhere. But connoisseurs of technical craft—especially in sound design and colourful cinematography—will find much to appreciate in the film’s polished execution.
Final Visual Verdict: Does It Justify Big-Screen Money?
Absolutely, and without a shadow of a doubt. Viyaah Kartaare Da is a textbook example of a film whose value is multiplied by the theatre environment.
It’s a big-screen carnival designed for loud, communal enjoyment. The investment in a ticket is an investment in an experience—a vibrant, noisy, heartwarming Punjabi wedding you’re invited to.
Skip it at the cinema, and you skip the film’s very reason for being.
FAQs: The Technical Lowdown
Q: Is it worth watching in IMAX?
A: If you have access to an IMAX screen playing it, 100%. The larger canvas and superior sound system will magnify the film’s best qualities—the grand visuals and thunderous audio.
Q: How is the VFX quality?
A> It’s very good for the genre. It’s not about aliens or robots, but about enhancing reality—bigger crowds, more vibrant colours, and comic effects. It’s seamless and serves the story.
Q: Is Dolby Atmos important for this film?
A> Crucial. The sound design is spatial and immersive. The Atmos track places you in the middle of the wedding chaos, making the experience significantly more engaging.
Ratings are purely my take after multiple watches — your experience might differ!