Mario (2025–2026) Review – Big Screens, Loud Beats, and Visual Swagger That Demands a Theatre Watch I still remember that first moment in the theatre when the lights dim, bass kicks in, and a hero entry shakes the seats. Mario feels crafted exactly for that goosebumps-first, logic-later cinematic rush—where visuals, sound, and scale do half…
Nayanam Review – A Psychological Trip Best Felt in Silence, Darkness, and a Big Screen Mindset I’ve sat in enough theatres and home screens over the years to know this feeling well — when a show doesn’t scream for attention but quietly pulls you into its world. Nayanam creates that exact atmosphere, where visuals, sound,…
Epic – First Semester Review: A London Campus Romance That Looks Stunning on the Big Screen Sitting inside a dark theatre, watching a familiar middle-class character step into a wide, foreign campus world, I could instantly feel the mood shift. Epic – First Semester is the kind of film where visuals quietly hug the emotions…
Drive (2025) Review – Slick Visuals, London Frames, But Does the Big Screen Thrill Deliver? Watching Drive in a theatre felt like settling into a stylish corporate lounge — glossy visuals, international locations, and that promise of a high-tech thriller unfolding on a massive screen. As someone who’s seen decades of Telugu cinema evolve visually,…
Eesha 2025 Review – A Chilling Big-Screen Experience Where Silence Screams Louder Than Fear Sitting in a dark theatre with Eesha felt like the screen was breathing along with the audience. The kind of film where even a flickering shadow makes you shift in your seat, and the quiet moments hit harder than loud jump…
One/4 Review – Visuals Ne Toh Dil Jeet Liya! Okay, confession time. As a veteran who’s seen thousands of frames, I often get jaded by “dark thrillers.” But within 10 minutes of One/4, the camera work had me leaning in. Director A.R. Murugadoss and his DOP have crafted a visual language that isn’t just pretty—it’s…
Euphoria Review – Gunasekhar Ka Vision Ekdum Next Level Aur Relevant! In my 18 years of blogging, I’ve seen directors evolve, but Gunasekhar’s shift from historical spectacles to this intimate, ticking-bomb of a drama is a masterclass in reinvention. *Euphoria* isn’t just a film; it’s a director’s statement, proving that true scale lies in emotional…
GOAT 2025 Review – Visuals Ne Toh Dil Jeet Liya! Camera Magic & Family Fun In my 18 years of critiquing cinema, I’ve seen visuals make or break a simple story. Walking into GOAT, I expected a standard rom-com, but the technical crew serves a visual treat that elevates the entire experience. Cinematographer Balaji Subrahmanyam…
Revolver Rita 2025 Review – BGM Sunke Goosebumps Aa Gaye! Bhai, in my 18 years of blogging and having reviewed 600+ films, Sean Roldan’s music in Revolver Rita instantly grabs attention. From quirky gang sequences to intense shootouts, the soundtrack is full paisa vasool and adds that extra zing to every scene. Track-by-Track Breakdown The…
Vanara 2025 Review – BGM Sunke Goosebumps Aa Gaye! Bhai, as someone who has spent 18+ years dissecting Telugu cinema’s sound design, let me tell you straight—Vanara (2025) surprised me big time. Having reviewed 600+ films, I rarely see a debut director use music and production design so confidently. Avinash Thiruveedhula’s socio-fantasy madness becomes even…