Messenger (2025) Review — Soundtrack & Production Deep Dive You know that feeling when a film’s sound and production design do half the storytelling? As an 18-year veteran film writer who’s sat through countless studio mixes and location shoots, I watch a movie’s soundscape and production like they’re characters. Messenger leans hard on atmosphere —…
The Taj Story (2025) Review: A Cinematic Blend of History, Courtroom Drama, and Visual Grandeur From analyzing Oscar contenders to exploring homegrown Indian epics, I’ve seen how cinematography defines the soul of a film. The Taj Story (2025) stands tall as a visual odyssey that merges courtroom realism with historical spectacle. Visual Performance Rating My…
Madhaniyan (2025) Review: Nav Bajwa’s Heartfelt Vision of Family, Love, and Duty Having covered Punjabi cinema for over 15 years, I’ve seen many family dramas try to balance emotion and realism. But Madhaniyan (2025), written and directed by Nav Bajwa, stands out for its heartfelt sincerity. This isn’t a movie chasing trends—it’s a film about…
Aaryan (2025) Review: Soundtrack & Production That Hold the Tension Together You know that feeling when a scene’s silence says more than dialogue? As an 18-year veteran reviewer who’s sat through scores of studio mixes and live scoring sessions, I felt that pull often in Aaryan (2025). Quick Production Snapshot Field Detail Title Aaryan (2025)…
Baahubali: The Epic (2025) Review – Rajamouli’s Grand Vision Reforged After fifteen years of tracking directorial evolution in Indian cinema, I can safely say that SS Rajamouli has once again demonstrated why his name belongs among the cinematic greats. Baahubali: The Epic (2025) isn’t just a re-release — it’s a reimagination. The way it unites…
Bugonia 2025 Review: The Director’s Vision — Precision, Paranoia, and Performance As a critic with 15 years covering auteur-driven cinema, I went into Bugonia (2025) expecting a tight concept — what I found was a directorial statement that uses restraint as a stylistic weapon. This is a movie where choices are visible in the negative…