Maarutha (2025) Review: S. Narayan’s Vision of Grit, Grace, and Kannada Roots When a filmmaker like S. Narayan returns to helm a drama like Maarutha (2025), expectations naturally soar. Having covered Narayan’s works for over 15 years, I can say this film feels like a culmination of his visual sincerity, emotional density, and love for…
Vrusshabha 2025 Review: Nanda Kishore’s Vision and Creative Power As a reviewer who’s followed Indian cinema for over 15 years, few things excite me like a director daring to build a mythic world from scratch. With Vrusshabha, Nanda Kishore steps into that zone — blending legacy, bloodline, and destiny with an emotional, kingly canvas led…
Patriot (2025) Review: Mahesh Narayanan’s Commanding Vision in Action Cinema When a director like Mahesh Narayanan takes the reins, you know you’re in for a layered, thinking-man’s thriller. Having followed his work for over a decade — from Take Off to Malik — I can confidently say Patriot (2025) might just be his most ambitious…
Athiradi 2025 Review: Arun Anirudhan’s Bold Debut Balances Style, Soul, and Campus Chaos As someone who’s followed Malayalam cinema for over 15 years, I love spotting fresh directorial voices that blend heart with rhythm. Arun Anirudhan steps into direction with Athiradi — and what a confident debut it is. This film proves that campus-based dramas…
Stranger Things 5 (2025) Review: The Duffer Brothers’ Final Vision Unleashed After reviewing hundreds of directorial masterpieces over the past 15 years, I can confidently say that Stranger Things 5 is not just a season—it’s the Duffer Brothers’ farewell statement to their universe. Their direction fuses nostalgia, chaos, and character intimacy into a singular cinematic…
Ikkis (2025) Review: Sriram Raghavan’s Visionary Tribute to Arun Khetarpal Having reviewed hundreds of Indian films over the past 15 years, I can say that Sriram Raghavan’s Ikkis (2025) feels like the kind of movie that redefines what a war biopic can look like. It’s not just a film about courage—it’s a director’s meditation on…
Arsan (2025) Review: Vetrimaaran’s Vision — Brutal, Patient, and Deeply Rooted You know that rare director who can make a city feel like fate? Vetrimaaran does it again in Arsan (2025). As a reviewer with 15 years on the beat, covering indie darlings to big masala outings, I think this film is Vetrimaaran at his…
Aan Paavam Pollathathu (2025) Review: Inside Kalaiarasan Thangavel’s Directorial Vision Opening Thoughts Some directors use chaos; others find meaning in silence. Kalaiarasan Thangavel belongs to the latter. Having covered over 15 years of Tamil cinema direction styles—from Vetri Maaran’s grit to Thiagarajan Kumararaja’s layered madness—I can say Aan Paavam Pollathathu sits comfortably in the “emotionally…
Single Salma (2025) Review: Nachiket Samant’s Vision and the Heart Behind the Frame After nearly 15 years of analyzing directorial styles across Indian cinema, I’ve come to value intent over perfection. Single Salma (2025), directed by Nachiket Samant, is a film that brims with good intent — exploring womanhood, independence, and identity — yet stumbles…
Dies Irae (2025) Review: A Visual Symphony of Shadows and Silence As someone who’s spent over a decade breaking down the magic of Malayalam cinema and global VFX craft, Dies Irae instantly caught my eye. This is not your everyday horror flick—it’s a meticulously visualized psychological thriller that thrives on atmosphere, texture, and emotional isolation….